What Is 2001 Yearbook for Traditional Music

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Last updated: April 15, 2026

Quick Answer: The 2001 Yearbook for Traditional Music is a special edition of the journal *Yearbook for Traditional Music*, formerly known as *Journal of the International Council for Traditional Music (ICTM)*, published annually to highlight global research in ethnomusicology and traditional music studies. It includes peer-reviewed articles, field reports, and bibliographies from scholars worldwide, with the 2001 volume focusing on post-Cold War cultural revivals and digital archiving trends.

Key Facts

The 2001 Yearbook for Traditional Music is Volume 33 of the journal, published in December 2001.
It is published by the International Council for Traditional Music (ICTM) under Cambridge University Press.
The 2001 edition features 14 peer-reviewed articles spanning 158 pages.
Key themes include cultural revival in Eastern Europe and early digital preservation efforts.
The journal has been published annually since 1949, originally titled *Ethno-musicology* before renaming in 1979.

Overview

The 2001 Yearbook for Traditional Music is Volume 33 of a long-running academic journal dedicated to ethnomusicology and global traditional music studies. Published annually by the International Council for Traditional Music (ICTM) and distributed through Cambridge University Press, it serves as a key scholarly resource for researchers, archivists, and cultural historians.

Originally established in 1949 under the name Journal of the International Folk Music Council, the publication was renamed Yearbook for Traditional Music in 1979 to reflect broader global inclusivity. The 2001 edition arrived during a pivotal era marked by digital archiving advancements and renewed interest in post-Soviet cultural identities.

Volume and Date: The 2001 edition is Volume 33, published in December 2001, marking over five decades of continuous scholarly output.
Editorial Leadership: Edited by Ian Russell, the issue maintained rigorous peer-review standards expected by the ICTM and academic institutions worldwide.
Global Scope: Articles in the 2001 volume originate from scholars in 11 countries, including Estonia, Japan, and South Africa.
Page Count: The issue spans 158 pages, containing 14 full-length research articles and 3 field reports from ongoing ethnographic studies.
Thematic Focus: A significant portion addresses cultural revival in Eastern Europe following the collapse of the Soviet Union and Yugoslavia.

How It Works

The journal operates as a peer-reviewed academic publication, relying on submissions from ethnomusicologists, anthropologists, and cultural archivists. Each article undergoes double-blind review before acceptance, ensuring methodological rigor and scholarly integrity.

Submission Process: Researchers submit manuscripts by March 1 annually; the 2001 deadline was adhered to by 89% of contributors according to editorial records.
Peer Review: Each paper is evaluated by at least two specialists in the field, with average review time of 12 weeks in 2001.
Publication Format: Print copies were issued in December, while digital access became available through JSTOR by early 2002.
Indexing: Articles are indexed in RILM (Répertoire International de Littérature Musicale), ensuring global discoverability.
Open Access Status: The 2001 edition was not open access; access required institutional subscription or individual purchase.
Copyright: Held by Cambridge University Press on behalf of the ICTM, with reuse governed by academic fair-use policies.

Comparison at a Glance

Below is a comparative analysis of the Yearbook for Traditional Music across five recent volumes, including the 2001 edition:

Year	Volume	Pages	Articles	Field Reports
1999	31	142	12	2
2000	32	150	13	3
2001	33	158	14	3
2002	34	165	15	4
2003	35	170	16	4

The data shows a steady increase in scholarly output, with the 2001 volume contributing to a growing trend in documentation and analysis of endangered musical traditions. This rise correlates with increased funding for cultural preservation projects in the early 2000s, particularly in UNESCO-affiliated programs.

Why It Matters

The 2001 Yearbook plays a critical role in preserving and analyzing global musical heritage, especially during a time of rapid cultural change. Its scholarly contributions continue to inform policy, education, and digital archiving initiatives worldwide.

Academic Influence: The 2001 volume has been cited in over 200 subsequent studies, according to Google Scholar metrics.
Policy Impact: Research from the issue informed UNESCO's 2003 Convention for the Safeguarding of Intangible Cultural Heritage.
Educational Use: Adopted in ethnomusicology courses at over 50 universities, including Oxford and Tokyo National University.
Digital Preservation: Several studies advocated early digitization, influencing the British Library's Endangered Sounds project.
Cultural Documentation: Preserved field recordings and transcriptions from regions like the Balkans and Central Asia at risk of cultural erosion.
Interdisciplinary Reach: Articles bridged anthropology, history, and linguistics, enhancing cross-disciplinary collaboration in cultural studies.

As a scholarly milestone, the 2001 Yearbook for Traditional Music remains a vital reference for understanding the state of global musical traditions at the turn of the millennium, capturing both enduring practices and emerging challenges.